Drumming Steve Reich Score Pdf Download
There is, then, only one basic rhythmic pattern for all of Drumming. This pattern undergoes changes of phase position, pitch, and timbre, but all the performers play this pattern, or some part of it, throughout the entire piece. — Steve Reich Reproduction Rights. Drumming Part One by Steve Reich begins with two drummers building up the basic rhythmic pattern of the entire piece from a single drum beat, played in a cycle of twelve beats with rests on all the other beats. Gradually additional drumbeats are. Percussion Ensemble.
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Drumming Steve Reich Score Pdf Download Free
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—Dave Lewis, All Music Guide Steve Reich: Drumming by So Percussion Following their acclaimed 2004 Cantaloupe debut, Sō Percussion has completed an entirely new recording of Steve Reich’s epic Drumming, made in an entirely new way. This is the first recording of its kind, in which the 4 members of Sō perform all nine separate percussion parts while joined by the singers of Reich’s own ensemble. The result is a direct, precise sound, with a clarity that illuminates this landmark piece.
This CD brings the percussion world’s Beethoven 9th into the 21st century. About Drumming For Sō Percussion, the reasons to play Steve Reich’s Drumming are simple: it is exhilarating to perform, it is elemental yet intelligent, and it is fun to share with audiences. The other story, however, is an evolutionary approach to musical composition. Although every note of Drumming rocks, its existence is due to the composer’s tireless search for new modes of musical expression. For Reich, Drumming was both a refinement of past techniques and a departure for new ones. Most importantly, he wanted audiences to hear all of the processes that make the music what it is. One rhythm permeates the entire piece.
At the beginning, two players dramatically build that rhythm up one note at a time. This is a bold statement: Many other composers of Reich’s generation worked very hard to construct layers of mind-boggling complexity in their music. Once this rhythm builds up, one player starts moving slightly faster than the other. The result sounds at first like a musical train wreck, but gradually a new rhythm emerges, which is really the same rhythm set in different places. Other musicians then begin picking out patterns from this grid. These patterns move through three different instrument families (drums, marimbas, glockenspiels), and gradually up four octaves over the course of an hour.
Reich’s study in Africa enabled him to write music that had to be percussion music. Its ecstatic grooves communicate directly, without pretense. Drumming captures the immediacy of that experience, and gives us a reference point for work still to come. – Adam Sliwinski.